The English at Home : Bill Brandt the Photographic Contriver

English language & literature   ( 57 )   55 - 73   2017.2

The Eyes of Democracy : Stefan Lorant and Picture Post

Bulletin of the Institute of Humanities, Chuo University   ( 76 )   245 - 270   2013.10

Terence Conran no Shoku to Jyu no Design [Terence Conran and his Design of Eating and Housing: Soup Kitchen and Habitat]

British Cultural History, 1951-2010   103 - 117   2011.9

The Participant Observer: The Position of the Narrator in George Orwell's Homage to Catalonia Reviewed

British and American Culture   ( 41 )   77 - 91   2011.3

Framing the Decline of the Northern Seaside Resort under Thatcherism: The New Brighton Photographs of Martin Parr

English Language and Literature   ( 50 )   63 - 75   2010.2

Constructing "Northernness" : Humphrey Spender and Worktown Project(<Special Topic>I. The Absence of Woolf, or Woolf in the Constellation of Modernism) Reviewed

Virginia Woolf Review   25 ( 25 )   39 - 54   2008.10

The Age of Picture Post: Journalism and Photojournalism in Britain

British Cultural History: Love and War, 1900–1951   272 - 286   2007.2

Blackpool's Anthropology: Mass-Observation and the Study of Working-Class Leisure in 1930s Britain Reviewed

The Studies in English Language, Literature and Culture   ( 35 )   73 - 93   2005.3

Making of British Photojournalism and Its Reception in the 1930s

The Jumonji Journal of Social and Information Sciences   ( 8 )   27 - 46   2005.1

The Politics of Picture Post: British Photojournalism in the 1930s Reviewed

British and American Culture   ( 34 )   79 - 105   2004.3

The Function of the Narrator as a Rhetorical Device in George Orwell's Homage to Catalonia

Journal of Social Information Studies   ( 7 )   141 - 162   2004.1

The Literary Processing of Historical Material in The Road to Wigan Pier

Orwell: A Centenary Tribute from Japan   37 - 64   2003.12

British Photojournalism in the 1930s : An Analysis of Selected Works by Stefan Lorant, Humphrey Spender and Bill Brandt Reviewed

MPhil Thesis   2003.9

'The Science of Taste and of Cultural Consumption': Some Ideas in Pierre Bourdieu's Distinction for Explaining Working-Class Consumption in the Early Twentieth Century Britain

Tsuda inquiry   ( 24 )   38 - 51   2003.3

Beyond the Glass Window: Representations of the Other in The Road to Wigan Pier

George Orwell: Beyond the Twentieth Century   47 - 64   2002.3

Romantic Heroes, Pitiful Victims: George Orwell's Plongeurs and Tramps in Down and Out in Paris and London

Tsuda inquiry   ( 23 )   180 - 192   2002.3

Documenting Others: George Orwell and His Documentary Works of the 1930s Reviewed

MA Thesis   2001.3

Representing War: The First World War Propaganda Poster Collection of the Interfaculty Initiative in Information Studies, The University of Tokyo

（ Role： Joint author）

University of Tokyo Press  2006.11  （ ISBN:4130010034 ）

Orwell : a centenary tribute from Japan

Yasuharu Okuyama, ed（ Role： Joint author）

Sairyusha  2003  （ ISBN:4882028824 ）

George Orwell: Beyond the Twentieth Century

（ Role： Joint author）

Otowa Shobo Tsurumi Shoten  2002.3  （ ISBN:475530220X ）

Keep the Aspidistra Flying as an Intermodernist Novel

Orwell Studies   ( 35 )   5 - 8   2016.4

Kristin Bluemel, ed., Intermodernism: Literary Culture in Mid-Twentieth-Century Britain, (Edinburgh UP, 2009) Reviewed

Virginia Woolf Review   30 ( 30 )   79 - 84   2013.10

"Our Own Anthropology": Mass-Observation

British Cultural History: Love and War, 1900–1951   37 - 37   2007.2

Penguin Books and the Left Book Club

British Cultural History: Love and War, 1900–1951   52 - 52   2007.2

Review of Yasuharu Kawabata, Animal Farm: Language, Politics, and Song

Orwell Studies   ( 25 )   21 - 22   2006.5

The Relativity of Communicating "Facts": Orwell's Critique of Spanish Civil War Reporting in Homage to Catalonia

Orwell Studies   ( 21 )   7 - 7   2002.3

George Orwell and the Representation of the Others

Orwell Studies   ( 20 )   5 - 5   2001.3

Looking up the High-Rise: Representation of Architecture in George Orwell and J. G. Ballard's Novels (Oral presentation in the session "Orwell's Fellows & Disciples") International conference

Rebel? Prophet? Relic? - Perspectives on George Orwell in 2019  ( University College London )   2019.5  Unviersity College London, UCL’s Orwell Archive, the Orwell Foundation, and the Orwell Society

Gordon Comstock's Sense of Money: A Critique of Mammonism in George Orwell's Keep the Aspidistra Flying (1936) (Oral presentation at the symposium "Against Mammon: Morris, Lawrence, and Orwell")

47th Annual Conference of the D. H. Lawrence Society of Japan  2016.6 

A Study of George Orwell's Keep the Aspidistra Flying

May Meeting, The George Orwell Society of Japan  2016.5 

L. S. Lowry's Paintings as Icons of Northern England

4th Public Research Seminar, Middlebrow Culture Research Group, Institute of Humanities, Chuo University  2016.3 

The Fluidity of the British Middle Class

2nd Public Research Seminar, Middlebrow Culture Research Group, Institute of Humanities, Chuo University  2015.8 

Middlebrow Culture and Mass-Observation (Oral presentation in the Work in Progress session "What Is Middlebrow Studies?")

108th Regular Meeting of the Virginia Woolf Society of Japan  2013.7 

An Ideal Community or a Symbol of Misery? Representations of Coal Mining in the British Media of the 1930s (Oral presentation at the symposium "Coal Mining and Literature: From Lawrence to Orwell")

44th Annual Conference of the D. H. Lawrence Society of Japan  2013.6 

ジョージ・オーウェル『カタロニア讃歌』論

2012年度日本オーウェル協会7月例会  2012.7 

革命という場、〈クイア〉な情景──ジョージ・オーウェル『カタロニア讃歌』再考

第28回英米文化学会大会  2010.9 

Tinker, Tailor, Solder, Sailor──ビル・ブラントの写真に見られる英国階級観

2006年度日本オーウェル協会9月例会  2006.9 

ジョージ・オーウェル『ライオンと一角獣』論

第27回清泉女子大学人文学研究所研究発表会  2006.2 

〈家族〉としての英国──第二次大戦期におけるジョージ・オーウェルの国民文化表象

第5回テクスト研究学会大会  2005.8 

ブラックプールの人類学──マス・オブザヴェーション運動と1930年代労働者階級レジャーの様相に関する一考察

第22回英米文化学会大会  2004.9 

『ピクチャー・ポスト』の政治学──1930年代の英国のフォトジャーナリズムについて

第21回英米文化学会大会  2003.9 

イギリスにおけるフォトジャーナリズムとドキュメンタリー運動──1930年代を中心に

2001年度日本オーウェル協会2月例会  2002.2 

<ガラス窓>の向こうの人びと──ジョージ・オーウェル『ウィガン波止場への道』(1937)における労働者像

第95回「歴史と人間」研究会  2001.7 

においと階級──George Orwell, The Road to Wigan Pier (1937)における感覚をめぐって

第34回英語英文学専攻課程協議会研究発表会  2000.11 

James Baldwin, Go Tell It on the Mountain (1953)における女性たち

1999年度 津田塾大学大学院英文学会研究発表会  1999.7 

Core English (Reading, Writing, Listening, Speaking, TOEIC, etc.)

2009.4 - Now   Institution：Faculty of Commerce, Chuo University

English

2006.4 - 2010.3   Institution：Keio University

History of Western Theatre

2003.4 - 2009.3   Institution：Jumonji University

British Literature

2003.4 - 2009.3   Institution：Jumonji University

Comparative Cultures of the English-Speaking World

2005.4 - 2007.3   Institution：Seisen University

Seminar in Modern British and American Literature

2005.4 - 2006.3   Institution：Tokyo International University

Studies in British and American Literature

2005.4 - 2006.3   Institution：Tokyo International University

2022 Chuo University Human Rights Lecture: Reflecting on Human Rights through a One-Person Play

Role(s)： Presenter,　Planner,　Report writing

Chuo University  Featuring The Tracks Go On Forever (Senro wa Tsuzuku yo Doko Made mo), written and directed by Chong Wishing and performed by Takayasu Komiya  2022.11 　 　

The Fascinating World of British Art: Art and Design Inspired by the British Landscape (Three-Part Lecture Series)

Role(s)： Lecturer

Chuo University Crescent Academy (Continuing Education Program)  2022.10 -